Chicago vs. Everybody with Arionne Nettles
Black & PublishedSeptember 03, 2024x
34
47:2932.64 MB

Chicago vs. Everybody with Arionne Nettles

This week on Black & Published, Nikesha speaks with Arionne Nettles, author of the book, We Are The Culture: Black Chicago's Influence on Everything. A university lecturer at Northwestern University's Medill School of Journalism as well as a culture reporter, Arionne's book is as much a love letter to her city as it is putting the world on notice… that Chicago is the epicenter for all things culture and cool… with receipts. 


In our conversation, Arionne explains why writing this book was really about asking questions people had been waiting all their lives to answer. Plus… how she balanced Chicago’s media reputation with the reality of the home she knows and loves. And… the stories she had to leave on the cutting room floor. 

Support the show

Follow the Show:

IG: @blkandpublished
Twitter: @BLKandPublished

Follow Me:

IG: @nikesha_elise
Twitter: @Nikesha_Elise
Website: www.newwrites.com

[00:00:00] [SPEAKER_01]: Black American culture runs so much, right? When we look at like music and fashion and all

[00:00:06] [SPEAKER_01]: of these things. And so much of that started here in Chicago and we just don't always get

[00:00:13] [SPEAKER_01]: that credit that other cities might get.

[00:00:17] [SPEAKER_02]: What's good? I'm Nikesha Elise Williams and this is Black and Published. Brick a you

[00:00:22] [SPEAKER_02]: the journeys of writers, poets, playwrights, and storytellers of all kinds. Today's

[00:00:29] [SPEAKER_02]: guest is Arionne Nettles. Off of the book, we are the culture. Black Chicago's influence

[00:00:36] [SPEAKER_02]: on everything. The book is as much a love letter to our city as it is putting the world on

[00:00:43] [SPEAKER_02]: notice that Chicago is the epicenter for all things culture and cool with receipts.

[00:00:50] [SPEAKER_01]: I was talking a lot about Black stories and so to tell these stories we have to deal

[00:00:54] [SPEAKER_01]: with a lot of adversity. And maybe that is not my goal, like not saying I can't mention

[00:01:01] [SPEAKER_01]: those challenges but maybe I don't want to give those challenges that much room to breathe.

[00:01:06] [SPEAKER_01]: Like maybe what I want the balance to be is that I'm putting more balance on the triumphs.

[00:01:12] [SPEAKER_02]: From Johnson Publishing Company and Softsheen and Dudley's haircare products to the legacy

[00:01:17] [SPEAKER_02]: of the Chicago Defender and today's emphasis on drill music in the hip hop scene, Arionne

[00:01:22] [SPEAKER_02]: covers it all. Why she says writing this book was really about asking questions people

[00:01:28] [SPEAKER_02]: have been waiting to answer all their lives. Plus how she balance Chicago's media reputation

[00:01:34] [SPEAKER_02]: with the reality of the home she knows and loves. And the story she had to leave on

[00:01:40] [SPEAKER_02]: the cutting room floor. Take a tour of the second city through Arionne's eyes

[00:01:45] [SPEAKER_02]: next when Black and Published continues.

[00:01:50] [SPEAKER_02]: So we're going to jump and get it all into it. So my first question for you today, when

[00:01:56] [SPEAKER_01]: did you know that you were a writer? I think I knew that I was a writer when I was at

[00:02:05] [SPEAKER_01]: elementary school because I don't think that I ever thought that I would write a book

[00:02:11] [SPEAKER_01]: but I used to write like poetry and stuff like that. You know, in Chicago how we have

[00:02:17] [SPEAKER_01]: like those young author contests and stuff like that. I always thought that was so fun

[00:02:22] [SPEAKER_01]: and cool. And so I always felt like well, I can write right but it always felt like

[00:02:31] [SPEAKER_01]: something fun. I never really thought of it as a professional job though. So I think

[00:02:37] [SPEAKER_01]: I always did see myself as a writer but not like a professional writer when I think about it.

[00:02:42] [SPEAKER_02]: So for listeners who don't know me and Arionne go back to middle school like 7th grade at

[00:02:48] [SPEAKER_02]: work apart. So I know a little bit more than maybe most. And so writing wasn't what you

[00:02:56] [SPEAKER_01]: pursued at first. No, no, not at all. I was a business school for college and I just was

[00:03:04] [SPEAKER_01]: like okay well what do I want to do? And I didn't really know but I was like okay well I knew that

[00:03:11] [SPEAKER_01]: I didn't want to not be able to take care of myself. And so for that I figured okay well money

[00:03:20] [SPEAKER_01]: right like we learned really early on especially if you didn't grow up like super wealthy

[00:03:27] [SPEAKER_01]: right that you go to college in order to be able to get a good job and take care yourself.

[00:03:33] [SPEAKER_01]: So I figured okay well if I do business then I'll know how to make money. I'll be well off

[00:03:41] [SPEAKER_01]: like I'll be able to take care of myself. I won't have to be like a burden or I won't

[00:03:46] [SPEAKER_01]: be like stressed out. I mean I'm still stressed out about money but I didn't think that I

[00:03:51] [SPEAKER_01]: would you know I thought it would be a good pathway to be able to take good care

[00:03:56] [SPEAKER_01]: of myself and I think that was why I chose it. I didn't really have a passion for anything

[00:04:00] [SPEAKER_01]: that I saw and I was just kind of like well I don't really know what I want to be and so it

[00:04:05] [SPEAKER_01]: was kind of scary because you know how people would be like I want to do this I want to be a doctor

[00:04:09] [SPEAKER_01]: I want to be a lawyer like I didn't really have any of those ideas going into college so I just

[00:04:15] [SPEAKER_02]: chose something that felt practical. I remember you doing business and then you're doing a lot

[00:04:21] [SPEAKER_02]: of different things and but I remember you made the switch to journalism and went to Northwestern

[00:04:26] [SPEAKER_02]: your your masters in journalism what was that transition like and what did that do for you in

[00:04:32] [SPEAKER_02]: terms of re-exploring who you were as a child and being a writer? Yeah you know I really

[00:04:39] [SPEAKER_01]: love that question because I think I was so much older at that point so I had been writing before

[00:04:46] [SPEAKER_01]: I went back to school so I kind of knew where my weak points were and where like you know

[00:04:53] [SPEAKER_01]: I was like okay I don't really know journalism structure I don't really know certain things people

[00:04:59] [SPEAKER_01]: would say oh you have like a natural thing for writing but I don't really know the difference

[00:05:07] [SPEAKER_01]: between writing and journalism writing right because I've never been taught those things

[00:05:12] [SPEAKER_01]: and you can be a really strong academic writer and not necessarily be great in journalism

[00:05:18] [SPEAKER_01]: and I think it really taught me even when I'm not doing journalism specifically like journalism

[00:05:24] [SPEAKER_01]: writing to really know how to tease out the important parts of a story like what's most

[00:05:30] [SPEAKER_01]: important how can I highlight those things how to write concisely how not to waste time

[00:05:37] [SPEAKER_01]: on details that don't matter and so when you see me add details it's because they're important

[00:05:46] [SPEAKER_01]: so it just taught me a lot of that like I don't I don't waste words I don't waste space

[00:05:52] [SPEAKER_01]: and that's all because of journalism training for sure. Come on with the tactics okay

[00:05:59] [SPEAKER_02]: so then having that training and then also having the natural gift of storytelling

[00:06:07] [SPEAKER_02]: why was telling the stories of black Chicago specifically always something that you were

[00:06:13] [SPEAKER_02]: drawn to because this is the work that you started doing on the radio. Yeah yeah and so

[00:06:18] [SPEAKER_01]: that was because a lot of times it felt like it would just be

[00:06:22] [SPEAKER_01]: unknown and left out in a way that it shouldn't be so many of these black stories are the backbone

[00:06:29] [SPEAKER_01]: of what makes Chicago Chicago and then I would realize that oh these stories are not just what

[00:06:35] [SPEAKER_01]: makes Chicago Chicago they are what make certain industries what they are and so

[00:06:42] [SPEAKER_01]: I realized like oh not only do some of us not know these stories but people around the country

[00:06:49] [SPEAKER_01]: and sometimes around the world need to know these stories too right because there's this great

[00:06:54] [SPEAKER_01]: influence right we know black American culture runs so much right when we look at like music

[00:07:01] [SPEAKER_01]: and fashion and all of these things and so much of that started here in Chicago and

[00:07:08] [SPEAKER_01]: we just don't always get that credit that other cities might get. So then this being a passion

[00:07:16] [SPEAKER_02]: project and something that you were doing on the radio at WBEZ and telling these stories when did

[00:07:24] [SPEAKER_02]: you know that that wasn't enough and that it needed to be a book? I decided that I did

[00:07:31] [SPEAKER_01]: want to try to write a book I think because I started working in academia and when you start

[00:07:37] [SPEAKER_01]: working at academia everybody's asking you well what's your book going to be you know what is

[00:07:41] [SPEAKER_01]: what's your scholarship because even though as journalists we publish all this time like that's

[00:07:48] [SPEAKER_01]: not seen as scholarship it has to be like a book or it has to be a peer-reviewed journal

[00:07:53] [SPEAKER_01]: like these are the things that are viewed as like career making things so mentors will ask you

[00:08:01] [SPEAKER_01]: what are you working on in a way to help you and one thing that I always wanted to do was I didn't

[00:08:07] [SPEAKER_01]: necessarily want my first book especially to be something that I was disconnected from I wanted

[00:08:13] [SPEAKER_01]: it to be something that yes I study it and I'm a scholar of it but I'm also a part of it like

[00:08:21] [SPEAKER_01]: I wanted it to be something that I am familiar with I'm not an outsider and so thinking through that

[00:08:28] [SPEAKER_01]: like it just felt like the best fit something that I was very familiar with like not just as a

[00:08:34] [SPEAKER_01]: black Chicagoan but also as a reporter and a journalist. So once you had the idea and

[00:08:41] [SPEAKER_02]: were ready to like really put it down what was your publication process like? Okay so once I had

[00:08:48] [SPEAKER_01]: the idea I had a draft my first draft was really bad I kind of was all over the place I didn't really

[00:08:55] [SPEAKER_01]: know what I was doing I think I also underestimated it I kept thinking well I'm a journalist I know how

[00:09:01] [SPEAKER_01]: to write articles right if every chapter is like an article and I have to write how many of these

[00:09:06] [SPEAKER_01]: okay fine whatever I can do that um and I just got really overwhelmed but I had a really great

[00:09:14] [SPEAKER_01]: editor she gave me fantastic edits she helped me kind of just rethink some things and it's also

[00:09:21] [SPEAKER_01]: hard because like as a journalist you don't always have the exact same tone with every

[00:09:27] [SPEAKER_01]: article you write but in a book you do need the exact same tone so that it feels the same

[00:09:34] [SPEAKER_01]: and so some days when I was writing something I would sound one way and then maybe sometimes

[00:09:38] [SPEAKER_01]: I wouldn't so it was also just trying to like spread it out and even it out I could also tell

[00:09:44] [SPEAKER_01]: when I was writing something I was tired versus when I was really excited about something so there

[00:09:49] [SPEAKER_01]: were just some real differences in the whole book being the same and having an editor that you trust

[00:09:58] [SPEAKER_01]: that can really get you is just really important so we did that I worked on edits and then

[00:10:04] [SPEAKER_01]: we did like another round of really big edits too and then there was just so many rounds of

[00:10:09] [SPEAKER_01]: copy edits I can't even remember because it was copy edits and then like you know a round that was

[00:10:15] [SPEAKER_01]: just looking at like line breaks and there's just so many edits but I think those first couple

[00:10:22] [SPEAKER_01]: big edits are the ones that I remember as being just really helping me figure it out and

[00:10:29] [SPEAKER_01]: make it feel like a book instead of just a bunch of pieces of things you know making it feel like

[00:10:35] [SPEAKER_02]: it's one cohesive piece. I've never heard someone say that their tone changes depending on whether

[00:10:42] [SPEAKER_02]: you know they're tired or not can you talk about what that looked like for you in this book like

[00:10:47] [SPEAKER_01]: how your own mood affected your writing? Yeah yeah so let's say there was like a topic that I knew

[00:10:55] [SPEAKER_01]: a whole lot about and I was excited right it might be a little bit longer it might have even a little

[00:11:01] [SPEAKER_01]: bit more detail you can kind of tell in my writing that I'm really excited about this and then let's

[00:11:07] [SPEAKER_01]: say I get to another topic and maybe I mean I chose the topic so it's not like they are

[00:11:13] [SPEAKER_01]: topics that I didn't want to write about but like maybe I'm tired this week I'm like really tired

[00:11:19] [SPEAKER_01]: I'm not adding as much detail it feels like I'm just going through the motions

[00:11:23] [SPEAKER_01]: and so my editor is like well what about this what about this you didn't really say or sometimes

[00:11:30] [SPEAKER_01]: especially because I was talking a lot about black stories and so to tell these stories we have

[00:11:36] [SPEAKER_01]: to deal with a lot of adversity and so there would be certain sections and she's like you sound

[00:11:41] [SPEAKER_01]: really angry here and she's like I'm not saying that you can't be angry but I think

[00:11:48] [SPEAKER_01]: that what you're saying in this book is that you are celebrating that black people did these great

[00:11:55] [SPEAKER_01]: things despite uh those challenges I'm like yeah yeah no that is my tone that's that's what I'm

[00:12:00] [SPEAKER_01]: trying to do and she's like okay well you might want to revisit this part because you sound real

[00:12:05] [SPEAKER_01]: mad you know and so uh and it could be I didn't have a long day and I'm like and then they did so

[00:12:13] [SPEAKER_01]: and so right I'm pissed off I'm like I'm like going into like investigative journalism I'm like

[00:12:19] [SPEAKER_01]: you know laying out the facts and so um and maybe that is not my goal like not saying I can't

[00:12:26] [SPEAKER_01]: mention those challenges but maybe I don't want to give those challenges that much room to breathe

[00:12:32] [SPEAKER_01]: like maybe what I want the balance to be is that I'm putting more balance on the triumph

[00:12:38] [SPEAKER_01]: of it and so that part was just so much harder than I didn't really I just really didn't really think

[00:12:43] [SPEAKER_02]: about that. I love that not giving the challenges a room to breathe because the book is joyful and

[00:12:49] [SPEAKER_02]: it sounds like you and I don't know if I've ever seen you angry but I know that we've gone

[00:12:55] [SPEAKER_02]: years without seeing each other but it's like I like just from knowing you from school it's

[00:13:00] [SPEAKER_02]: like I don't ever remember you without a smile or without having that joy and so that really comes

[00:13:06] [SPEAKER_02]: through in the writing and that your editor could pick up on that and notice that these sections

[00:13:13] [SPEAKER_02]: that are more challenging read as such and don't have that joy that I think that you would be known

[00:13:19] [SPEAKER_01]: for it's like a really key edit because it sounds like you. Yeah yeah and I don't know if as an

[00:13:26] [SPEAKER_01]: editor if I would have picked that up you know like because as a journalism editor I'm just picking

[00:13:32] [SPEAKER_01]: up like are these facts true but she was like yeah you just sound real angry and I don't think that

[00:13:39] [SPEAKER_02]: that's what you want this book to be. So then knowing that this book wasn't going to count

[00:13:45] [SPEAKER_02]: for a tenure track but was still going to be a notch for you as both a journalist but also as

[00:13:53] [SPEAKER_02]: academic and pursuing that career wise what does it mean to have it out? The thing is that

[00:14:00] [SPEAKER_01]: that might have been the first reason why I wanted to do a book but now it just really

[00:14:06] [SPEAKER_01]: doesn't matter like the career part doesn't really matter like I think if anything I feel

[00:14:14] [SPEAKER_01]: really grateful that I think it's opened me up to so many more conversations with people

[00:14:20] [SPEAKER_01]: like I have met so many people who have said hey I see what you're interested in like we have this

[00:14:28] [SPEAKER_01]: organization and we're doing XYZ or would you be open to working with us to do whatever whatever.

[00:14:35] [SPEAKER_01]: I've thought a lot about this in my past year was like oh man like I love this place what

[00:14:40] [SPEAKER_01]: do I want my community work to look like you know like what organizations do I want to be

[00:14:47] [SPEAKER_01]: a part of and like I want to be more involved in certain ways and so people have like found me

[00:14:56] [SPEAKER_01]: through the book and so yes the original thought to do a book was like I want to do a book

[00:15:04] [SPEAKER_01]: I want to establish myself as an expert on something but since then I think I've just

[00:15:11] [SPEAKER_01]: really been like as long as my community likes it like I kind of don't care like people

[00:15:16] [SPEAKER_01]: been like hey are you going to do like a tour and I'm like there's no need to do a tour because

[00:15:21] [SPEAKER_01]: I don't care what people outside of Chicago think about the book like not that I am grateful when

[00:15:26] [SPEAKER_01]: people outside of Chicago read it and find connection I think that that's beautiful and

[00:15:31] [SPEAKER_01]: I say that because like I read books about stuff like let's for example I can read a book about

[00:15:36] [SPEAKER_01]: Southern hip hop and love it I can read a book about New York hip hop and love it right

[00:15:41] [SPEAKER_01]: and I'm not from either of those places so yes I think that we can connect and find joy in other

[00:15:49] [SPEAKER_01]: stories but if people are like I'm not really interested in seeing how like Chicago influenced

[00:15:57] [SPEAKER_01]: stuff I'm okay with that because people here are interested right and so that has just meant so much

[00:16:04] [SPEAKER_01]: to me like the love and support I've gotten here it's really been like a door opener

[00:16:10] [SPEAKER_01]: for more connection it sounds like the book was freeing for you yeah it really was and I didn't

[00:16:18] [SPEAKER_02]: expect that that's what's up so can you read something from we are the culture so that we

[00:16:23] [SPEAKER_02]: can get into this book yes we are the culture black Chicago's influence on everything is an

[00:16:30] [SPEAKER_02]: anthology collection of how black Chicagoans contributed to the culture writ large from

[00:16:35] [SPEAKER_02]: the ways the great migration shaped the city into what it is and how those throngs of people

[00:16:40] [SPEAKER_02]: seeking the warmth of other sons created blues revolutionized jazz and went on to create national

[00:16:46] [SPEAKER_02]: publications documenting black life arian nettles book picks up where the defender ebony and jet

[00:16:53] [SPEAKER_02]: left off focusing on Chicago's global impact in music beauty and fashion sports and much much more

[00:17:02] [SPEAKER_01]: here's arian okay i'll read from the introduction from Chicago with love

[00:17:10] [SPEAKER_01]: written while listening to sunday candy by dianity trumpet in the social experiment

[00:17:16] [SPEAKER_01]: i am from the south side of chicago that tells you as much about me

[00:17:20] [SPEAKER_01]: as you need to know michelle obama and the documentary of a coming

[00:17:26] [SPEAKER_01]: the first thing i ever learned as far as identity was twofold i knew i was black

[00:17:32] [SPEAKER_01]: and i knew i was from chicago and frankly those were the only two things that mattered to me

[00:17:40] [SPEAKER_01]: that's because chicago is more than just a place where i grew up it's the place that is an integral part of me

[00:17:47] [SPEAKER_01]: i grew up playing in the streets and alleys roller skating and biking even over broken

[00:17:53] [SPEAKER_01]: concrete throughout my south side black where my family had lived for three generations

[00:18:00] [SPEAKER_01]: everything about this neighborhood to me has translated to love strength and street savviness

[00:18:08] [SPEAKER_01]: i went to chicago public schools molded by teachers who along with my family

[00:18:14] [SPEAKER_01]: intentionally instilled a sense of black pride into me letting me know that i came from a

[00:18:20] [SPEAKER_01]: long line of amazingly smart and creative black people and that so many of those black people

[00:18:27] [SPEAKER_01]: had spent time here in this beautiful city where they created community and cultivated each other's

[00:18:34] [SPEAKER_01]: talents and i was a city kid going to city parts after school spending hours and hours in city

[00:18:42] [SPEAKER_01]: libraries entering city oratory and poetry contests participating in art fest so it was not

[00:18:50] [SPEAKER_01]: lost on me how chicago itself is and always has been an epicenter of culture and how black chicagoans

[00:18:59] [SPEAKER_01]: have been contributors to that culture chicago is in my dna and when a city is part of your identity

[00:19:08] [SPEAKER_01]: it means something different it means you're very much invested in that city's story how it's

[00:19:14] [SPEAKER_01]: cold and who's doing the telling and when it comes to what makes chicago chicago i've never felt that

[00:19:22] [SPEAKER_01]: story was shared enough here let alone with the rest of the world thank you so one time i remember

[00:19:32] [SPEAKER_02]: maybe a year or so ago i was home and my brother's girlfriend and i took my nephew my kids her

[00:19:39] [SPEAKER_02]: kids to the park downtown in maggie daily park and we drove and we parked downtown we had a day at

[00:19:45] [SPEAKER_02]: the park and then we were driving back home and for some reason lake shore drive how to get on it from

[00:19:50] [SPEAKER_02]: lower wacker drive was closed so we had to go around and so we had to go around through

[00:19:55] [SPEAKER_02]: the north side like through chicago avenue and then come back south that way okay and what i noticed

[00:20:00] [SPEAKER_02]: as i was driving and it really made me sad was because chicago is segregated still

[00:20:08] [SPEAKER_02]: and the way the city is divided you know downtown the north and south loop the gold coast

[00:20:15] [SPEAKER_02]: the north side it's one of the prettiest cities you'll ever see in life i stand on that tento's

[00:20:21] [SPEAKER_02]: down but then as we were driving south i began to get so sad because then i see all the demolition

[00:20:27] [SPEAKER_02]: from the robber tailor homes or all of the projects that have come down and then the graffiti

[00:20:33] [SPEAKER_02]: starts to pick up and the neighborhoods change then you know you go from scenies broad

[00:20:37] [SPEAKER_02]: avenues and these lights and all of these different things to seeing you know the hood

[00:20:42] [SPEAKER_02]: basically and it really made me sad and what i love about your book is that it is centered on the

[00:20:50] [SPEAKER_02]: south side a lot of it it is centered on black chicago and so it was a reason to have joy about

[00:20:57] [SPEAKER_02]: this side of the city that has been neglected at times and also is still really resilient and given

[00:21:08] [SPEAKER_02]: all the stories that are told about chicago when they do hit mainstream news than being so negative

[00:21:14] [SPEAKER_02]: and always about the crime your book did the exact opposite so can you lean more into talking about

[00:21:23] [SPEAKER_02]: finding the joy in these stories of the black community of chicago that are far more important

[00:21:31] [SPEAKER_02]: than just the negative ones that we see in a nightly news ticker so often a lot of the people

[00:21:38] [SPEAKER_01]: who are telling those stories are not from here right like you know we know by being in the news

[00:21:45] [SPEAKER_01]: that you know national news media they cannot be as specific as like you know local media that's

[00:21:54] [SPEAKER_01]: why local media is also so important because you know the loss of local media in any city

[00:22:00] [SPEAKER_01]: is detrimental because those are the people who cover like the little league games and

[00:22:06] [SPEAKER_01]: the park openings and you know the galleries and like the smaller things that mean a lot to

[00:22:13] [SPEAKER_01]: a community national news of course can never do that it can never show those unique parts of a city

[00:22:21] [SPEAKER_01]: or a side of a city that's not their goal anyways right they're kind of looking at national trends

[00:22:27] [SPEAKER_01]: bigger ideas and we also have like big national politicians and leaders who like to malign chicago

[00:22:35] [SPEAKER_01]: in such a way that people who've never been here often say like oh you're from chicago

[00:22:42] [SPEAKER_01]: oh my goodness you know and growing up in chicago regardless of what has ever happened

[00:22:50] [SPEAKER_01]: i never felt that like i never felt growing up from in chicago that i was at a loss of anything

[00:22:58] [SPEAKER_01]: i never felt that i was denied anything i felt like the city was that i had all these things for me

[00:23:06] [SPEAKER_01]: right and i think we forget especially being in a city like chicago where we do like of course

[00:23:11] [SPEAKER_01]: there's a lot of things that we need to work on and we should critique our own city and like fight for

[00:23:17] [SPEAKER_01]: better always but we being in like this kind of like global city we have all these things like

[00:23:25] [SPEAKER_01]: parks and some of the biggest and best libraries and archives and we have all of these things

[00:23:32] [SPEAKER_01]: at our fingertips just on the south side like i literally live like less than a mile away

[00:23:38] [SPEAKER_01]: from an international monument over in pulmonary so like i can take my son and he will ride our bike

[00:23:44] [SPEAKER_01]: over there and so we have all of these gyms and all of this history and beautiful things that are just

[00:23:51] [SPEAKER_01]: so close to us all this culture surrounds us and you grow up with it you know like i was

[00:23:59] [SPEAKER_01]: talking to somebody who's like yeah you know gwenland brooks just came to my school

[00:24:02] [SPEAKER_01]: and i'm like oh yeah i think gwenland brooks might have came to my school too right and so

[00:24:06] [SPEAKER_01]: you just have all these experiences with these amazing people because they live here and they

[00:24:14] [SPEAKER_01]: they grew up here or they spent so much time here and it's really hard to see your city as

[00:24:22] [SPEAKER_01]: this horrible place if you associate it with all this greatness exactly and so from music fashion

[00:24:32] [SPEAKER_02]: black news and media sports all of those different things have their global origination points

[00:24:40] [SPEAKER_02]: in the city of chicago what were some of the most fascinating parts of that story for you to uncover

[00:24:47] [SPEAKER_01]: the most fascinating parts were like a lot of the details of like how much that reach was

[00:24:53] [SPEAKER_01]: because like for example i knew growing up that johnson publishing company was in chicago

[00:25:00] [SPEAKER_01]: right um i don't think i realized that like johnson publishing company because i was so young i

[00:25:07] [SPEAKER_01]: didn't realize that they were like covering international black news i didn't realize that

[00:25:12] [SPEAKER_01]: they had people stationed over in different parts of africa i didn't realize all of that right

[00:25:19] [SPEAKER_01]: and i should have i guess because like even when you think about like haircare my aunt

[00:25:24] [SPEAKER_01]: worked for south shane which was based in chicago and that's how she ended up moving to south africa

[00:25:30] [SPEAKER_01]: because they were doing haircare activations and different work over in south africa specifically

[00:25:37] [SPEAKER_01]: and she ended up being like over their international partners and so like these companies

[00:25:43] [SPEAKER_01]: started in chicago right but they have like these wide global reaches you just don't think

[00:25:48] [SPEAKER_01]: about that and so it's all these people having these really wide reaching things but they don't

[00:25:55] [SPEAKER_01]: they didn't have social media to post like hey y'all i'm just i'm back in south africa working for

[00:26:01] [SPEAKER_01]: south chic come get at me if i'm in johberg right like so they have all these like stories that

[00:26:10] [SPEAKER_01]: like until you talk to them you're it's like wow what you did what and i think was so funny

[00:26:15] [SPEAKER_02]: about that because like i loved everything about the book but even like the stories about

[00:26:20] [SPEAKER_02]: like the fashion like i think everybody knew ebony fashion fair but i think it was like the

[00:26:24] [SPEAKER_02]: stories about the haircare because we live by luster's pink or moisturizer lotion

[00:26:28] [SPEAKER_02]: in high school like yes everybody every girl had a bottle in their locker everybody and like we

[00:26:34] [SPEAKER_02]: live by it but like i don't even think i knew that was a chicago product as much as i knew

[00:26:38] [SPEAKER_02]: that dudley's was with the dudley blue grease which also you got your hair pressed with a

[00:26:43] [SPEAKER_02]: bottle of blue grease from dudley's it was just that's the way it happened but i think you talking

[00:26:48] [SPEAKER_02]: about that is that so many of these stories that you uncovered and that you're telling the history of

[00:26:53] [SPEAKER_02]: have gone untold and i think for some reason i don't know if it's just black chicago or black

[00:27:00] [SPEAKER_02]: people in general that if we don't ask the questions the stories don't get told because

[00:27:05] [SPEAKER_02]: i guess they're written off as inconsequential or just a part of life did you find that

[00:27:11] [SPEAKER_02]: in doing the research for this book and uncovering and telling these stories

[00:27:15] [SPEAKER_01]: yeah yeah and i think there's just so much where people like you would talk to people and they're

[00:27:21] [SPEAKER_01]: like well nobody ever asked me like people are ready to tell you you know you just have to find

[00:27:28] [SPEAKER_01]: them so like i was talking with you know charlotte draper and she was one of ebony's food editors

[00:27:37] [SPEAKER_01]: and she was one of the first actually she was the first person to cook in their test kitchen when

[00:27:47] [SPEAKER_01]: they open up their new building right and the way she would talk she's like yeah so people

[00:27:52] [SPEAKER_01]: would sit in recipes and she's like well you know before we put a recipe in the magazine i cooked

[00:27:57] [SPEAKER_01]: the recipe to make sure right and then so people would just walk past so like let's say you're

[00:28:03] [SPEAKER_01]: a celebrity and you're just walking past the test kitchen and you're like let me try these greens

[00:28:07] [SPEAKER_01]: let me have a little bit of this chocolate cake like it's just wild to envision right but this

[00:28:13] [SPEAKER_02]: was just people's everyday lives absolutely and also part of the everyday lives is where you talk

[00:28:19] [SPEAKER_02]: about the things that think that we held on close to as children i'm specifically thinking about

[00:28:25] [SPEAKER_02]: the rank and the route and the culture of roller skating and then or not roller skating on

[00:28:30] [SPEAKER_02]: friday and saturday night yeah yeah and the importance of the music you talk about house music

[00:28:38] [SPEAKER_02]: and footwork in which i love why were some of these you know parts of the culture that don't get a lot

[00:28:48] [SPEAKER_02]: of mainstream play outside i mean they do now thanks to social feel like i'm thinking about

[00:28:52] [SPEAKER_02]: the footworkings especially um but like a lot of that i don't even think with the artists

[00:28:58] [SPEAKER_02]: that we've had coming out of the city have people really been checking for chicago like that

[00:29:05] [SPEAKER_01]: yeah yeah i mean i think because it's just kind of like people don't really know it's like those

[00:29:12] [SPEAKER_01]: are stories where like we know because we grew up in that culture but i think that it's not

[00:29:17] [SPEAKER_01]: necessarily given its academic or scholarly race it's not seen as like as cultural yeah it's not

[00:29:26] [SPEAKER_01]: seen like oh this is a cultural like revolution as some of the older stuff um which is also because

[00:29:33] [SPEAKER_01]: probably at the time those things weren't either right like we look at like the blues at the time

[00:29:39] [SPEAKER_01]: the blues was seen as like oh it's just some stuff that the young people are doing right

[00:29:43] [SPEAKER_01]: and so i think it was also important for me to also start to talk about stuff that was not as old

[00:29:51] [SPEAKER_01]: because i think that that is just also as important and i think that we have a tendency

[00:29:56] [SPEAKER_01]: and when i say we i mean society to trivialize the things that young black people enjoy

[00:30:04] [SPEAKER_01]: instead of explaining and showing how they are a marker of the times and how they are

[00:30:12] [SPEAKER_01]: means of cultural expression and we've seen that throughout history right um and it's why

[00:30:18] [SPEAKER_01]: things might not get be seen as like oh this amazing thing until 30 40 50 years until after

[00:30:26] [SPEAKER_01]: the people have gone and they're no longer doing it and now it's seen as something that only old

[00:30:30] [SPEAKER_02]: people do so i feel like that's a comment on chicago but also a comment on black culture at large

[00:30:35] [SPEAKER_02]: yeah whereas like the things that we create whether it's the blues or drill music or you know

[00:30:41] [SPEAKER_02]: footwork in our tap dance or whatever the case may be especially in culture it's often

[00:30:46] [SPEAKER_02]: minimalized and in this age of social media and algorithms in the behemoth that is coming that is

[00:30:54] [SPEAKER_02]: ai you know a lot of those contributions are intentionally suppressed yeah so then how

[00:31:04] [SPEAKER_02]: much more difficult is it then for someone like you in your position to uncover those stories

[00:31:13] [SPEAKER_02]: where as soon as something black and trendy starts it's dismissed or the credit is given

[00:31:20] [SPEAKER_01]: to someone else who is not black yeah i do think it's helpful if you're there from the start

[00:31:27] [SPEAKER_01]: right it is harder once more and more time passes especially like you mentioned now the world is

[00:31:35] [SPEAKER_01]: different so talk about tiktok dances for example right and i use that because there has been such a

[00:31:40] [SPEAKER_01]: huge discussion around tiktok and black tiktok creators getting credit for their original

[00:31:49] [SPEAKER_01]: choreography so if you're not there from the beginning if you go back five years it's really

[00:31:57] [SPEAKER_01]: hard to then remember look and see so like for example i cannot even remember the young lady's

[00:32:07] [SPEAKER_01]: name but i remember the controversy around i think was that the renegade dance that's exactly

[00:32:13] [SPEAKER_01]: what i was thinking about when i asked this question yes and if people did not do articles

[00:32:18] [SPEAKER_01]: around that if i go now and say oh i'm writing a book and i want to include it and all i remember

[00:32:24] [SPEAKER_01]: is that it was the renegade dance the only way for me to really remember and be able to give

[00:32:30] [SPEAKER_01]: her proper credit will be to now reference the stories written about it and so i needed

[00:32:38] [SPEAKER_01]: someone to document that at that time because things just move so fast because several yeah her

[00:32:45] [SPEAKER_01]: name is jillilah harman yes yes renegade dance yes and so now we've had you know more instances of

[00:32:52] [SPEAKER_01]: that but that was like the first major instance of things happening and so if we didn't have

[00:32:59] [SPEAKER_01]: journalists who cover trends and online behavior in digital media i wouldn't be able to like

[00:33:06] [SPEAKER_01]: go back and reference it and you know but because of that i can go back i can reference what they wrote

[00:33:13] [SPEAKER_01]: i can cite them properly i can do all those things if i were to now write a book about it

[00:33:18] [SPEAKER_02]: so then with that being said about how difficult it may become to chronicle what's happening now

[00:33:25] [SPEAKER_02]: what was the most difficult or challenging part about writing this book and uncovering the stories

[00:33:30] [SPEAKER_02]: of like those first black newspapers even before the defender yeah so there were a lot of things i

[00:33:37] [SPEAKER_01]: wanted to say and i couldn't answer in the editing process especially which is the beauty of it right

[00:33:44] [SPEAKER_01]: generally you know if you're doing a newer story your editor will say well who did this what was

[00:33:51] [SPEAKER_01]: this right and then you know you go back through what you know you might go back through your

[00:33:56] [SPEAKER_01]: book you might go back to the person you interviewed and there were a lot of questions that my editor

[00:34:01] [SPEAKER_01]: would have for me and my answer to her would be we just don't know so there was a lot that i could

[00:34:07] [SPEAKER_01]: not answer and it's because i can't go back and google renegade dance creator black girl right

[00:34:15] [SPEAKER_01]: i just might know something really generic like the chicago style jazz created is what most

[00:34:24] [SPEAKER_01]: people did like the lindey hop to i believe that is true that's as specific as i can get if i say

[00:34:31] [SPEAKER_01]: a statement like that i don't really know who i don't really know the person you know i can

[00:34:36] [SPEAKER_01]: mention the jazz musicians who played from chicago around that time but i myself cannot say this

[00:34:45] [SPEAKER_01]: particular person heard chicago jazz and decided they wanted to start doing the lindey hop to

[00:34:52] [SPEAKER_01]: it right like i can't do that so it's a lot that i just can't answer and i have to make a lot of

[00:34:58] [SPEAKER_01]: generalizations and as journalists we don't like to make assumptions and so a lot of times

[00:35:04] [SPEAKER_01]: i would either just not be able to answer it or i would say well we don't know who did this

[00:35:12] [SPEAKER_01]: but we know that it made its way here by this time or something you know so

[00:35:19] [SPEAKER_01]: i hate saying that but a lot of times i'm just like i can't i don't know that or like me fact checking

[00:35:24] [SPEAKER_01]: stuff in other books and then i'm like this is not quite true so like i was reading a book

[00:35:30] [SPEAKER_01]: and it's like the one kind of definitive biography on robber abbott and it was written by somebody

[00:35:39] [SPEAKER_01]: who knew his family and so it's pretty close right it was with interviews from people who

[00:35:45] [SPEAKER_01]: knew him so most of it is really accurate right but somewhere in the book he mentions that like

[00:35:53] [SPEAKER_01]: 32 papers or something in chicago failed while abbott was at the helm of the defender

[00:36:00] [SPEAKER_01]: and so just doing spot checks of that fact i found some of that to be untrue and misleading

[00:36:07] [SPEAKER_01]: right so stuff like that would happen all the time and i'm just like so even books that i do

[00:36:13] [SPEAKER_01]: trust i have to fact check like you can't just take the method yeah um people make mistakes it's

[00:36:21] [SPEAKER_01]: kind of what you know why we always tell students or young journalists like hey try not to use secondary

[00:36:27] [SPEAKER_01]: sources because other people make mistakes and so you want your stuff to be as accurate as possible

[00:36:34] [SPEAKER_01]: and just knowing that when you put something in a book people take that as fact so i just wanted

[00:36:41] [SPEAKER_01]: to be very careful but that just takes it takes a really long time to write like that when you are

[00:36:46] [SPEAKER_01]: triple tracking every fact it does but then it also seems like a lot of stuff got left on the

[00:36:52] [SPEAKER_02]: cutting room floor so is there something that you didn't include in the book that you wanted to

[00:36:56] [SPEAKER_01]: there were a lot more things about music that i just couldn't include because that would

[00:37:01] [SPEAKER_01]: have just been a whole thing about music so like there's not technically like a section

[00:37:06] [SPEAKER_01]: about jazz i do talk about jazz but i more so talk about jazz in other places throughout and so

[00:37:13] [SPEAKER_01]: there's just so many things i could have talked about in that um dance other type of dance like

[00:37:19] [SPEAKER_01]: kathryn dunham but you just get to a point and you're like i have talked about so much

[00:37:25] [SPEAKER_01]: i don't think i have space for anything else there's just so much more i could have written

[00:37:31] [SPEAKER_01]: about i didn't write about the bears and i think that especially like when you're talking about

[00:37:36] [SPEAKER_01]: like the 85 bears i think they had a pretty influential part and even though they weren't

[00:37:41] [SPEAKER_01]: like you know the whole team wasn't black i think that there were some black players on there

[00:37:44] [SPEAKER_01]: especially that kind of made a pretty big indents in culture so there's a lot that i could have

[00:37:51] [SPEAKER_01]: done some more on but i was just like i gotta be done at some point so is there we are the

[00:37:58] [SPEAKER_01]: culture part two or is this enough for now i don't know i don't know i think this is enough for now but

[00:38:03] [SPEAKER_01]: i will i will never say never because i even know so much more than i knew like industries and sub

[00:38:11] [SPEAKER_02]: industries and there's just so many more stories to tell so then what do you think is the defining

[00:38:17] [SPEAKER_02]: aspect if you can drill it down to one of black chicago if i had to drill it down to just one

[00:38:25] [SPEAKER_01]: thing is that we find creativity in everything right in every crevice of the city in every

[00:38:37] [SPEAKER_01]: type of thing we're always going to find opportunity we're always going to find creativity

[00:38:42] [SPEAKER_01]: we're always going to make something be culturally fun and different and amazing even if you don't

[00:38:49] [SPEAKER_01]: necessarily think it is we're always going to find something really cool and i think that

[00:38:55] [SPEAKER_02]: that should be respected amen so now i want to move to a speed round in the game before i let you go

[00:39:01] [SPEAKER_02]: for the morning afternoon what is your favorite book their eyes were watching god by zora new

[00:39:10] [SPEAKER_01]: herston who was your favorite author i guess i just didn't say zora new herston you don't have

[00:39:17] [SPEAKER_01]: to it's nobody different no no no because i think she just she wrote a lot of stuff with her

[00:39:22] [SPEAKER_01]: she would say one line and i'm like i have to ponder on this one line for a month

[00:39:28] [SPEAKER_01]: as if i never heard it like i'll reread a zora new herston book and one line will just stop

[00:39:35] [SPEAKER_01]: me in my tracks and i'm like oh soora so yeah i think so we didn't talk about this in the interview

[00:39:43] [SPEAKER_02]: but i still wouldn't know because chicago is kind of known for like poetry and spoken word

[00:39:46] [SPEAKER_02]: what do you think if you think there is a difference between poetry and spoken word

[00:39:51] [SPEAKER_01]: i don't think that there is a difference but i think that spoken word is funnier to joke about

[00:40:02] [SPEAKER_01]: in jokes and tv shows like you know rafael they like ghetto on fresh principale like that's just

[00:40:11] [SPEAKER_01]: funny like it's always going to be funny um and i love poetry and spoken word but that's still

[00:40:16] [SPEAKER_01]: gonna be funny to me like i feel like that's not you know or like when timon was on girlfriends

[00:40:24] [SPEAKER_01]: and he was telling all of his and lian's business business yes yes it's always going to be good

[00:40:30] [SPEAKER_01]: who is your favorite artist you know i'm trying not to say biancé

[00:40:36] [SPEAKER_01]: it's okay if you do but it is biancé like i'm just trying to think of somebody who's

[00:40:41] [SPEAKER_01]: it's probably it's biancé um and that is okay yeah it's biancé i just i just she i just and i'm not

[00:40:50] [SPEAKER_01]: and i don't stand anybody so i just try not to say it like that like it's not like just because

[00:40:54] [SPEAKER_01]: it's biancé but i think that like especially me and her are close enough in age where

[00:41:00] [SPEAKER_01]: as she grows and she puts out more albums like when she was a teen i was a teen and now she's

[00:41:06] [SPEAKER_01]: older and doing these like more grown woman albums and now i'm older and doing more growth so the

[00:41:11] [SPEAKER_01]: content matches my growth as an adult and i think that that's honestly why it feels

[00:41:17] [SPEAKER_02]: like a very natural progression that's real what is your favorite chicago based movie or tv show

[00:41:25] [SPEAKER_02]: south side the comedy show if money were no object where would you go what would you do

[00:41:33] [SPEAKER_01]: and where would you live if money was no object i think i would actually live in johannesburg

[00:41:40] [SPEAKER_01]: in south africa and i would write and i think i would have a jet because since my son is special

[00:41:48] [SPEAKER_01]: needs like i would i don't think i could ever like live abroad because i don't think he could

[00:41:52] [SPEAKER_01]: he could ever hand like i don't fly with him so i don't ever want to move someplace i can't

[00:41:56] [SPEAKER_01]: drive but if money was no object we could move to johannesburg we could fly on the private

[00:42:02] [SPEAKER_01]: jet so he could be able to be comfortable i wouldn't be bothering people like it would just be a like

[00:42:07] [SPEAKER_01]: more pleasant experience and i would just like write books i support this name three things on

[00:42:14] [SPEAKER_01]: your bucket list one thing on my bucket list is to write a romance novel just because i read

[00:42:25] [SPEAKER_01]: so much of them i really want to write one second thing on my bucket list is i want to have like a

[00:42:34] [SPEAKER_01]: foundation like i want to have so like it's not necessarily that i have so much money but i want

[00:42:39] [SPEAKER_01]: to be able to like maybe if even if i'm poor like use other people's money to like just give

[00:42:45] [SPEAKER_01]: it away to people who need it and be like here's a scholarship for somebody who can't afford to

[00:42:50] [SPEAKER_01]: college here's money for this struggling mom like i want to be able to like less people

[00:42:57] [SPEAKER_01]: and then i guess the third thing would be i still want to hit podcasts i've never had like a hit

[00:43:05] [SPEAKER_01]: podcast you know like i've done some podcast work and it's been fun but i want something that's like

[00:43:12] [SPEAKER_01]: a hit and pays bills i get it or even even if it doesn't pay a lot of the bills like can

[00:43:18] [SPEAKER_01]: it pay for itself that part yeah even if it can just pay for itself and i could have a little help

[00:43:24] [SPEAKER_01]: i think i'd be okay like so that's my definition of hit is just it pay for itself that is also

[00:43:31] [SPEAKER_02]: my definition of hit and if anybody would like to sponsor black and published see i am open see y'all

[00:43:48] [SPEAKER_01]: and what brings you peace dancing and community all right so the game is called rewriting the

[00:43:55] [SPEAKER_02]: classics classic is however you define it although i know you read some of the classes because

[00:44:00] [SPEAKER_02]: we went to high school together so name one book that you wish you would have written

[00:44:08] [SPEAKER_01]: i would say atavia butlers kindred name a book where you want to change the ending

[00:44:15] [SPEAKER_01]: and how would you do it their eyes are watching god i really wanted different

[00:44:23] [SPEAKER_02]: for janey and teacake everybody wants different for janey and teacake all right and so name a book

[00:44:32] [SPEAKER_02]: that you think is overrated or over talked and why oh my gosh there's so many i'm trying to

[00:44:41] [SPEAKER_01]: remember one that i because i i intentionally pushed them out of my head um i feel like there's just a

[00:44:48] [SPEAKER_01]: lot of um the same shakespeare rean things and it's kind of like and we switch it up because

[00:44:57] [SPEAKER_01]: i also don't know why romeo and juliette is always one like it can be others like even if you

[00:45:05] [SPEAKER_01]: want people to get into like that spec shakespearean speak i feel like there's other stories that could

[00:45:11] [SPEAKER_01]: maybe have a cooler thing but i get the whole thing about like you can watch the tv versions

[00:45:20] [SPEAKER_01]: and read the book and then like you can like if you're doing drama you can act up to play but

[00:45:26] [SPEAKER_01]: i just feel like it's not as good because everybody knows what's gonna happen

[00:45:31] [SPEAKER_01]: before they read it so i feel like it's a little played out like like a little i think

[00:45:37] [SPEAKER_01]: switching it up on the shakespeare so shakespeare is the answer yeah so my final question for you

[00:45:44] [SPEAKER_02]: today when you're dead and gone and among the ancestors what would you like someone to write

[00:45:49] [SPEAKER_02]: about the legacy of words and work that you've left behind i want people to write

[00:45:57] [SPEAKER_01]: that i loved people through what i wrote i've actually thought about this a lot like when i'm gone

[00:46:06] [SPEAKER_01]: what do i want my words to mean to people and i want them to be an expression of my love big thank

[00:46:15] [SPEAKER_02]: you to arianne nettles for being here today on black and published make sure you check out arianne's

[00:46:20] [SPEAKER_02]: first book we are the culture black chicago's influence on everything and if you're not following

[00:46:27] [SPEAKER_02]: arianne check her out on the socials she's at arianne nettles on twitter and instagram

[00:46:34] [SPEAKER_02]: that's our show for the week if you like this episode and want more black and published

[00:46:40] [SPEAKER_02]: head to our instagram page it's at black and published and that's blk and published there

[00:46:49] [SPEAKER_02]: i've posted a bonus clip from my interview with arianne about why she wasn't worried about

[00:46:54] [SPEAKER_02]: making her book acceptable for the academy make sure you check it out and let me know what you

[00:47:00] [SPEAKER_02]: think in the comments i'll highlight y'all next year for black and published season five in 2025

[00:47:07] [SPEAKER_02]: i'll be back with more books more blackness and more of the journeys of the writers poets and

[00:47:14] [SPEAKER_02]: playwrights we love talk to you then peace